The Lobster: A Movie Review

mv5bndq1nde5nzq1nf5bml5banbnxkftztgwnza5otm2nte-_v1_uy1200_cr10806301200_al_Newly divorced, David is arrested and transferred to the Hotel where he has 45 days to find a matching mate. If he fails, he will be turned into an animal of his choice for the chance to find love in the Woods. As David’s days begin to wind down, he turns to desperate measures to secure a partner.

Directed by Yorgos Lanthimos, The Lobster is a deadpan, black comedy where the actors speak in monotone and reveal no emotion. But in the case of this film, that is not a bad thing. I found the premise of The Lobster to be interesting and thought provoking. This movie takes an every day situation—a break up or the loss of a significant other—and makes the solution to the problem so absurd that you can’t help but laugh at the situation. And the fact that the characters go along with the situation makes it even more absurd.

The comedy in it is dry, so may not be everyone’s cup of tea. I remember when I originally saw a preview for this movie, I thought it was another Wes Anderson film, and found the style to be somewhat similar (although darker than the Wes Anderson films I have previously seen).

My only flag for viewers is to say that there is human and animal abuse in the film which people may find distasteful. Not a lot, but some. And I think it ties in with the absurdity of the movie and allows viewers to find the beauty hidden beneath the darkness of the film.

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